You know, it's funny. But I got to comparing this novella with Mists of Blackfen Bog. Near the same length, they are both ghost stories. The structure of the titles is similar. The biggest differences, I guess, are that Mists takes place in the world of Tanerra, while Swans takes place in our world; Mists focuses on a priestess who has lost her faith, and Swans is told from the PoV of a twelve-year-old girl. What is it with me and ghosts and novellas? I don't even believe in ghosts, but I love writing ghost stories. They're pure fun, albeit dark fun.
So what are we looking at in this promo image? A swan, a cloudy sky reflected in a still lake, scarred shadowy edges, strange symbols, and angry crows. All but the crows show up in Swans of Westermere, though I suppose I could add some crows.
The scarred edges and antique look of the image are meant to convey the look of a tintype. Tintypes are key to the mystery surrounding the century-old curse that Jocelyn Tanner uncovers as she roams her ancestral home. It was way back in college that I studied the birth of photography, so I must've dragged this element from the dregs of my brain.
But, come to think of it, my brain was more supple eight years ago. Yep, I wrote Swans eight years ago, but it's one story I haven't been able to forget. It has all the cliched elements of a thousand other ghost stories, but there's just something I love about this tale. How can I not adore the idea of the devil being locked in a box on Grandma's mantelpiece? I mean, really. It's just too much fun.
Look for Swans of Westermere
tintype texture: AllThingsPrecious
voodoo symbols: RavenGraphics
magic symbols: nomuh