Thursday, April 12, 2018
As I may have alluded to in an earlier post, I hadn't even completed the first draft of Blackbird before I realized the ending, as I had first envisioned it, wouldn't work. After a bit of agonizing and brainstorming, a potential correction presented itself: an entirely new character.
Now, here I am, revising that very rough draft and inserting the "correction" in among the old content. But, my brain worries, is it actually a correction? Will this "fix," in fact, break the story worse? Provide unnecessary complication? Swell the word count needlessly?
All an unknown. Writing, I have discovered, is an act of faith. It's embarking upon a voyage with a map drawn in crayon and no sight of a shore before the prow. The new oar I have devised to employ may crack midway through the trip and leave the story stranded for a while. Or it may see the tale safely across the uncertain waters.
When you write, how do you feel about taking risk?
What ending, book or film, do you wish had been done differently? Why?
* * *
Current Project: Blackbird
Genre: Victorian Drama
Theme: the wound