From Mud to Jewels

My previous post, I see, was a month ago. Whew, what a clay-smooshing frenzy. I've been so focused on improving cups and mugs and getting glazes just right that I made no time for blogging. Ah, well.

Here's my follow-up report.

So the first test firing of my new glazes was a disaster. Almost none of the glazes yielded the results I hoped for. This is after I followed manufacturer advice on how many coats to apply. WRONG! What a mess of drab, dull, ugly color combinations. In some cases, the accent colors disappeared completely. I was so frustrated. But very, very determined to get it right. I tried again.

In some instances I reduced the number coats, in others I doubled the number of coats. And voila!

Mud and minerals applied just right, fired at 2300 degrees in my garage, produces jewels.

Test Group #2: glazed, before the firing.

Test Group #2: after the firing

Just look how happy they are! Not perfect yet, but we're getting there!

Test Group #2: just the cups

Test Group #2: slab cups

The slab cups are a result of my sudden need for a cup to store my tools. I started rummaging through the cabinets for old ugly plastic cups that might work, then it dawned on me. "Hell, girl, you're making mugs. Make a cup for your stuff!" So I did. Gotta learn to think like a potter, I guess.

But, man, add some handles and those cups would be adorable and very sturdy beer steins. Hmm, just a thought.

The possibilities feel endless.


NOTE: all pieces are hand-built. No wheel work. Clay body is Stoneware, Cone 6 Brown. Glazes are from Amaco and Spectrum.

Hands of the Potter

So given the current season I'm walking through, it seemed appropriate to heed my husband's advice and drag out my pottery stuff again. The goal is to craft enough inventory to actually sell. What that looks like, I have no idea.

Anyway, here's the gist. I took two ceramics courses back in college as electives--both hand-building and wheel--and LOVED it. We're talking twenty years ago. In my late twenties, I accumulated my own supplies to throw pots in the dubious comfort of my garage (as a result of icky circumstances that I won't describe online). Then came the novel project. Everything else, all hobbies, friends, family, everything, was set aside so I could finish the Falcons Saga.

Now that the novels are complete, and with the LegendFire Community shut down, I sank into a horrible place of purposelessness. No people and few characters to care for, I realized I was suffering something very closely related to Empty Nest Syndrome.

So now, twice in my life, has pottery stepped in as a source of rest and rejuvenation. I admit, writing, as much as I love it, does not produce this restful feeling. Struggling for words, for plot, for conflict, fills me with tension, if not outright frustration. Not so the pots.

Currently, I have no place to set up my wheel. I mean, it's a hundred degrees in my garage right now, and I'd like my CAR to live in the garage where it belongs, so sans studio, I am hand-building mugs and other things in the cool of my dining room.

wet three-legged mugs

I can't wait to see these mugs glazed and finished.

The firing end of things has turned into a more frustrating venture. Over the past couple of days, I had carefully glazed some test pieces, mainly to see how my new glazes blend (or don't), and to see if my old Paragon kiln is still in working order. However...

I get everything ready, wake up excited to begin, only to discover that the shelves and supports I thought I had, I no longer have. Couldn't find them anywhere. I see my entire day and my hope to see results by nightfall slipping down the gutter. Ugh. So ... I have ordered new kiln shelves and posts.

Setbacks and delays. Which seems to be the running theme of the entire summer. Not a big deal in this instance, but when delays continue to stack up, they feel more dire than they really are.

Maybe I'll get to test-fire next week?

Point is, so many life applications to be found in pottery. For a pot to be made beautiful, it must be turned upside down and have the ugly excess trimmed off. Too often do I find myself the pot in the hands of my Potter. Yet the trimming shows infinite care and loving, purposeful intention.

Isaiah 64:8

A Nocturne for Novellas

I forgot to post about my latest release. So here goes.

"A Nocturne in Red" is available at Amazon for e-readers and in print. It's the inaugural story of Sanjen of Shar, a lute-wielding bard, who gets into all kinds of trouble. Last August, The Society of Misfit Stories was awesome enough to publish it for a few months,but since it's no longer available through their site, I decided to throw it back out there myself. 

I'm hoping the tale is the launching point for many stories featuring this troubled character. Sanjen is full of personality and inner demons--and what won't he do to protect those he loves? Read the first several pages at Amazon or at my site.

Along with the story, I've converted my hand-drawn maps of Tanerra with Wonderdraft. Behold, Sanjen's world:

Click for a full-size view.

Maps To Show the Way

Good to know where we're going, right?

As a fantasy author, one of my dearest loves is world-building and drawing maps. And as a reader of fantasy fiction, I rely on well-rendered maps to navigate my way through the novels of others. Maps are like a perk of fantasy fiction that readers of real-life fiction don't get to savor.

So, yes, when I published the Falcons Saga, I included maps. At least in the print editions. These were carefully rendered -- in pen -- and painstakingly cleaned up with GIMP. At least, with the few skills I had acquired for GIMP.

So imagine my excitement when I came across Wonderdraft -- a program designed just for map rendering.

A couple of days ago, an old acquaintance from the LegendFire days posted a link to this amazingness. I followed the link down the rabbit hole and expected to see a price tag comparable to Photoshop. I also feared a lengthy learning curve and weeks of frustration just to get land to pop from ocean. *cue the heavenly choir* Only $30 and two days later, I am in map-rendering heaven.

The manual is short (needing a proofreader such as myself, but hey, nothing is perfect), the interface clean, the process well-designed and user-friendly. I experienced almost zero stress learning how it works. On a stress scale of 1 to 10, maybe a 1.5, for just a couple of seconds. Next, I'll be checking out all the community-built assets which ought to allow me to add all kinds of borders, symbols, and textures. And as a font fanatic, I will certainly be looking into importing waaaaay more fonts. But the basic package provides plenty to get started.

All those old black-and-white renderings of Aralorr? Revamped into glorious full color. Check it out!

Map and names, copyright by Court Ellyn 2019

Click to enlarge. I'll be adding these to my website shortly. So much better!