Summit In Sight

Image from Unsplash

So I haven't detailed much progress on Blackbird in a long time, mainly because writing this draft has felt like climbing an interminable mountain. Is it ever going to end???

Even my husband and my mother, who are my biggest supporters, have been asking, "Are you ever going to finish it?" To which I invariably give them a look that is the non-finger version of flipping them the bird. If I were a snarkier sort, I might invite them to kindly sit in my chair for a few days and finish the damn thing themselves. But I'm not. So I wrote on.

On a good day, I don't really love writing a rough draft. And as far as Blackbird goes, the writing has been slow and difficult. Probably because the historical genre is so new to me and demands a certain level of accuracy and knowledge that can't be invented as with fantasy. It has been ... uncomfortable ... like squeezing into a spandex suit.

And my greatest fear for this story is that it will bulge in all the wrong places.

BUT! After slogging on step by step, scene by scene, the end of the climb is within sight. I hope to conclude Draft 1 by the end of June. Then I can begin the part of the process that excites me. Cutting the fat, bulging up the scrawny bits, and otherwise administering the necessary plastic surgery that turns this ugly child into a supermodel.

Well, I can dream, can't I?

Microfiction: Pristine

Every week, LegendFire holds a 100 Words Contest for its members. It's one of our most popular activities. It encourages spontaneous creativity and very tight writing. The idea of posting my entries didn't occur to me until I saw works of microfiction popping up on Mastodon. The identities of the authors entering the contest isn't a secret, so I won't be violating any rules by posting my humble offerings.

To help me protect copyrights (I can't imagine anyone wanting to steal these, but the world is full of jerks doing inexplicable things), I'll put each story on a free-to-use image from Unsplash.

Last week's prompt was "pristine." I totally went overboard with it. Not my best writing, but the competition was fun, nonetheless.

NaNo Final Tally: Success, Sorta

Final tally of my unofficial NaNo attempt:

13,543/20,000

So I did not reach my word count goal. BUT! I wrote more than I expected and made serious progress on my WIP. Better, I like what I wrote. I may have met the 20k mark, but during the last two weeks of the month my attention was diverted by holiday/family stuff and writing entries for a micro fiction contest.

Because the contest entries were all-new material, I counted those words in the final tally as well. 

Altogether, I had a LOT of fun during this first attempt at NaNo. By this time next year, I really really really hope Blackbird is finished and I've moved on to the query phase.

Isolation and Research

Well, it's clear that I took another hiatus from journaling, blogging, and all social media. How zen and de-stressed life has been because of it. Now to take up a little word-crafting again. (In fact, I haven't written in so long that it feels awkward to do so.)

SO! What's been going on since last September?

* I completed my first paid editing job. A lovely client and a wonderful learning experience.
* Pottery has flourished. Sold nearly all my stock, plus a few commissions.
* Got a cold and bronchitis at Christmas, which lasted for nearly a month.
* Learned to ski. Proof:

Yep, that's me, trying not to be terrified of ski class.

* Caught some weird fever/cough when we got home from ski trip.
* Watched the world go mad.
* Freaked out at the grocery store when shelves were empty.
* Meanwhile, researching for novel continues.

Given that my husband and myself work from home on a daily basis, being on lockdown amid the pandemic hasn't shaken us too much. It just feels like doubling down on routine. Plus, I'm such a successfully functioning introvert that being ordered to stay away from humans sounds too good to be true. My mom told me that whenever I got into trouble as a kiddo, it didn't do any good to "send me to my room" because I loved being alone in my room. It's beyond my comprehension that extroverts are having trouble staying at home in the stillness and quiet, alone. Alone, alone.

Still, even for introverts like myself, I've appreciated the little contact I've had. A walk around the park with a friend. Chatting and gaming with friends online. So the isolation diminishes.

Rehearsals for the apocalypse aside, what am I researching? I mentioned (somewhere?) that I'm moving the setting of a novel (still languishing in rough draft form) from a conventional English countryside to the Nile and the ruins of Egypt. This massive change in setting has induced major changes in the core characters as well, and certainly in the side plots surrounding the main plot.

Here's a few tantalizing clues of my research topics in the form of pics:

Hypostyle Hall, Karnak

Dahabiyah

(sketch by Brierly, 1869)

Unknown beauty

The best thing about forced isolation is that I have no excuse not to make massive progress on renovating this novel. I guess we'll see what good comes of it.

As Sharp As Swords

From my Facebook Author page

Despite my departure into historical fiction, I find myself drawn back again into the realm of fantasy. I am close to having enough content for a collection of stories that all take place in the world of Tanerra. That world where "Fire Eater" and "Mists of Blackfen Bog" (my first two stories accepted for publication) are set.

This particular world has been undergoing development off and on for, guessing, 18 years now. It's rich, complex, huge, involves really two worlds in one, and many planar realms besides. So the possibilities for stories are endless.

And this project is something I've envisioned for years. To think it might actually come to fruition is energizing.

To that end, I need the title story. The foundation story. The story that introduces the pantheon, the myths and legends upon which all the other stories hinge, even if indirectly.

So last week, I began work on "Winter Star." Another couple of weeks ought to see Draft 1 completed. Fingers crossed.

~ ~ ~

Side note: my website has received an overhaul and is now live! It is now worlds away from the antiquated ickiness that it was before. Loving it. See the changes HERE.

Adventures in Writing: Faith and Good Endings

For Writers:

As I may have alluded to in an earlier post, I hadn't even completed the first draft of Blackbird before I realized the ending, as I had first envisioned it, wouldn't work. After a bit of agonizing and brainstorming, a potential correction presented itself:  an entirely new character.

Now, here I am, revising that very rough draft and inserting the "correction" in among the old content. But, my brain worries, is it actually a correction? Will this "fix," in fact, break the story worse? Provide unnecessary complication? Swell the word count needlessly?

All an unknown. Writing, I have discovered, is an act of faith. It's embarking upon a voyage with a map drawn in crayon and no sight of a shore before the prow. The new oar I have devised to employ may crack midway through the trip and leave the story stranded for a while. Or it may see the tale safely across the uncertain waters.

When you write, how do you feel about taking risk?

For Readers:

What ending, book or film, do you wish had been done differently? Why?

* * *

Current Project: Blackbird
Genre: Victorian Drama
Theme: the wound

Celebration: Completing Drafts

Pop the cork off that champagne! I am celebrating tonight. The first ugly draft of Blackbird is finished. A natural high. A feeling of complete, deep satisfaction in this first leg of a new journey.

I have not posted yet about Blackbird. Mainly because I was off writing the darn thing. The novel takes place in 1870s England, both in London and the West Country. (No, it is not another Fantasy novel, sorry Fantasy fans, maybe next time.) The research stage has been phenomenal. I get to return to my first love and explore history, houses, mannerisms, early medical developments, music, art, and literature of the time, etc. and I still have much research to do and apply.

Yes, yes, setting and all that, but what's the story about? It's about a young man with Savant Syndrome (it wasn't called that at the time, so I must avoid all reference to such labels), and the young woman who draws him out of a deep childhood trauma (before the science of psychiatry was prevalent), and the father who is desperate to protect his son from being condemned to an asylum.

The story touches on deep, lingering wounds, and the difficult subject matters of abuse and mental illness.

I typed the opening chapter the first week in November. Four months and 120k words later, Blackbird is a newborn baby duckling that is ready to transform into a swan. Yep, lots of bird references there.

I was just beginning writing the final chapter (things hadn't sat well with me for at least four chapters) when I realized what was wrong and how I might attempt to fix it. Despite that, I pressed on, finished writing the draft according to the original vision, though I didn't bother trying to nail down details that, later, I will discard anyway.

So excited to start putting these restructuring ideas into play next week. Though I may be too excited to wait. Revisions may well begin tomorrow.

I may record the rewriting progress here in my blog, just as I did for much of the Falcons Saga, along with strange research tidbits I come across. *crossing fingers I stick to that plan*

Onward! The next phase awaits...

Sand Into Sandcastles

This meme spoke to me today. Wow, this is so what I'm currently doing. Rough drafts are often soooo gross. Something is off, what is it? Does this character work? What's the point of this story? What happened to this scene's focus? Do I break the chapter here? This dialog sounds dumb. Too much detail? Not enough? How the hell do I fix this plot hole? Ugh!

Hair-tearing rough drafts. Got one going right now, and it often feels like a slog-fest. Too much world-building. Too many info dumps. Rushed action. And how the heck am I supposed to get these characters from Point B (managed to get them there safely from Point A) to Point C?

I have to remember: IT DOESN'T MATTER. It's a rough draft! Just write it. Trying to make sandcastles before all the sand is in the box will prove frustrating and stifle the frenzy of creativity.

Relax, breathe, and just write. The pile is ugly, and no one but myself gives a ....

Fury of the Falcon: The Work Begins

This week I began work on Fury of the Falcon, Book 5, and the last installment, of the Falcons Saga. Which means that I dragged out the last block of paper that contains the Saga's original twelve-yr-old draft and am giving it the once-over, so that I can remember what happens and why. Since I don't. I've slept since then. A lot. Like if I add it up, I've slept almost six years, and written other things for the other six. So yeah... I need the reminder.

This has led to a couple days of outlining, brainstorming, groaning, and swallowing puke, since the old draft stinks worse than last week's garbage. It's 12-yr-old garbage.

It's so gross it's like sucking lemons till your teeth fall out.

So to begin, here's this writer's account of manuscript overhaul:

PROGRESS DIARY

Entry #1

In only two days, I've gone through the entire ms and marked all the main events with stickies. The block of paper now thinks it is a porcupine's cousin. Have read through the first 100 pages or so and discovered what I feared -- the text amounts to a massively detailed outline. It's almost all tell and almost no show. It's atrocious. It's beyond atrocious. It's puke-worthy. Some of the dialog is fun, but that's the extent of the text's usefulness.

To attempt to remedy this pukiness, I've brainstormed the opening sequence, to completely reorganize the info, increase emotional tension, and cut the boring CRAP that plagues the ms like boils on a monkey's ass.

So far, I've found elements to cut, and scenes to add:

Spoiler Warning! (I'll try to leave things vague and cryptic, regardless)

Old content to cut:
* the Great Summoning, whatever the hell that is. Something that tries to sound significant, but isn't.
* Ice Elves. We don't need no more damned elves, okay? We got enough already. Give all dialog and action to Daryon, Miragi, or Dagni.

New content to add (spoilers, really, stop reading now):
* Thorn must test his invention on an unlucky test subject. Evil scientists, beware. There's a pissed avedra on the loose.
* Thorn and Daryon must put their inventions together, which makes foes even more unlucky.
* Kethlyn must deal with the rebellion on his hands, but he's drunk, so it won't go well. Where's Mum when he needs her?
* Valryk must get out of that dungeon cell. Old lovers prove useful after all. He then must go on a journey of twisted self-discovery and vengeance. I mean, it's everyone else's fault that he tried to have them murdered.
* Lothiar must expend his rage against his own people.
* Dax must try to sway Alyster to do nefarious things.

/spoilers

And that's not including all the content that remains (like Carah's storyline) and must be overhauled to match a more mature, sober tone.

Just to add, I've realized that this is the volume that will read like a George RR Martin episode. If a character is slated to die, they will mostly all die within the same hundred pages or so. (Yeah, I can think of 5 main or side characters that have it coming. Don't curse me, it's not my fault.) It will be over-the-top drama and bloodshed. Delightful.

First Friday Writing Prompt - Lifelong Dream

Inspiration: go after it with a club

Your character finally achieves their lifelong dream, but it's nothing they thought it would be. Now they would do anything to take it back. Must your character live with the consequences, or is there a way out?

Ready, set, write!

If you find inspiration and wish to share your creation with me, please do the following:

* DO paste a link to your creation as a comment to the prompt you’ve used, OR if you don't post your writing publically, type a paragraph as a comment.
* If you post your story/poem on your blog, DO include a link back to my blog, Wordweaver.
* DO NOT copy anyone else’s work and publicize it as your own.

Prompt History
January's Prompt

February's Prompt
March's Prompt
April's Prompt
May's Prompt
June's Prompt

First Friday Writing Prompt: Anthology Themes

Inspiration: go after it with a club.

If one is writing with the goal of publication in mind, what better prompt than those offered by publications themselves? Small presses and independent presses are great about putting out calls for stories based on a theme. Some of these prompts are broad, some are more specific. 

It's been easiest for me to find these themed anthologies by using search engines, like Duotrope (subscription-only) or The Submission Grinder (free). Using their search options, you plug in the kinds of writing you're interested in, and the engine returns a list of results.

As of June 1, 2015, The Grinder returned a list of twenty fantasy anthologies that offer token payment or higher. On that list are fun ideas to spur a rush of creativity:

* Snowpocalypse: Tales of the End of the World by Black Mirror Press
* Gears, Gadgets, and Steam by Harren Press
* Game Fiction by Gold Shader
* Typhon: A Monster Anthology, vol. 1 by Pantheon Magazine

These submissions are usually time-sensitive, so dive in as soon as your other projects allow. And be sure to check dates on press blogs and release estimates. Some of these small presses go under or appear inactive before the anthology can be published. While the prompt may still be fun to explore, these may be poor prospects for publication.


If you find inspiration and wish to share your creation with me, please do the following:

* DO paste a link to your creation as a comment to the prompt you’ve used, OR if you don't post your writing publically, type a paragraph as a comment.
* If you post your story/poem on your blog, DO include a link back to my blog, Wordweaver.
* DO NOT copy anyone else’s work and publicize it as your own.

Prompt History
January's Prompt

February's Prompt
March's Prompt
April's Prompt
May's Prompt

Cover Reveal, Falcons Progress Report

I have completed (I think) the arduous task of reworking each cover for the Falcons Saga. Some time ago, Amazon reworked how they want books in a series titled and numbered, so it's possible that Blood of the Falcon, vol. 2 is getting a bit cheated on exposure.

Even though volumes 1 and 2 are meant to be a single book and read together, I had to reconcile myself to the fact that I need to officially split them up. Which means new title, new covers, new blurb, new uploads. Fun stuff. :/ In the near future, Blood of the Falcon, vol. 2 is going to be re-released as Sword of the Falcon, an obvious and very fitting title, since the volume focuses heavily on Kelyn's personal journey. All I need is a blurb for the back and minor edits to the actual text and formatting. Not sure when this re-release will happen, but I'll be sure to post when it does.

For now, here's a peek at what the front cover will probably look like:

Still working on the cover for Book 4, Cry of the Falcon, so no sneak peeks on that one yet. But chapters are coming right along.

Project: CRY OF THE FALCON
Pages revised: 3.5
Became X Pages: 9
Scenes cut: 0
Scenes added: 1
Deaths: 2
Good things that happened: ... I'm sure there's something ... Um, nope, can't find a thing.
Bad things that happened: There is no option left to retreat.

Rest ... Recuperate ... Write

I had no idea my novel project would last as long as it has, nor that the material would grow and involve so many books and so much time, sweat, blood, and tears.

"Dreams" by Whisperfall

The holidays provide the perfect excuse to relax a bit, write when I can, and stop forcing it. January has provided another excuse to rest. LegendFire's annual Legends Contest has kicked off, and it's given me the opportunity to write something new. New characters, new crises. It's invigorating to escape the ogre war for a couple of weeks. Since the contest is still running, I can't mention titles or plotlines. Yet. Suffice to say, I'm excited about this story. And once the votes and critiques are in, I look forward to revising it, expanding it, and submitting it. If editors don't want it, they're crazy.

Is that ego or truth speaking? Time will tell.

"My Writing Process" Blog Tour

When I try to talk to friends and family about my writing, a curious frown often develops on their faces and they ask, “How do you do that? How do you come up with your ideas? How can you sit still that long?”

The Writing Process Blog Tour is where we get to answer some of those questions. A huge thanks to YA Fantasy author Lisa M. Green for inviting me to take part in this tour! Check out her response to the questions on her gorgeous blog.

So it’s confession time. What exactly goes on behind those closed doors to produce … *hand flourish* … magic?

What am I working on?

Currently, I’m trying to strategize a war and puzzle out how to defeat an army of flesh-eating ogres. Book 3 of the Falcons Saga is underway. Fury of the Falcon will conclude the adventures of my Ilswythe twins. That’s not to say that Fury is the last readers will see of the characters, however. Just that the focus will shift to someone else in upcoming adventures. So, while “the ogres go munching two by two,” I’m also weaving in details to set the stage for those later adventures.

How does my work differ from others of its genre?

The characters, definitely. My fiction is hard-core character-driven, rather than quest-driven. Readers may discover epic battles and hunts for stolen children, but it's what happens inside the characters and in their relationships with each other that drive the story forward. In truth, when readers pick up copies of the Falcons Saga, they will find many elements common in traditional fantasy, from the races they will encounter to the magic system. However! My ultimate goal is to make my characters so real to readers that they will feel a lingering void when they’ve been away from them for too long.

Why do I write what I do?

*Shrug* That’s a matter of practicality, I suppose--if writing fiction can be called ‘practical.’ I started out wanting to write historical adventure. But at the time, the internet was in its infancy, and in my house we did not have a computer or internet access. Libraries that featured research material weren’t near at hand. So the short of it is that I felt frustrated in acquiring the information I needed to write authentic historical stories. So it just made sense to start making up my own worlds where I knew the history, the laws, the culture, etc. Suddenly I felt confident in what I wrote, so I stuck with fantasy.

How does my writing process work?

Groaningly. That’s how. By 11:30 a.m, I had better be sitting at my writing desk with a mugga joe in my hand, or I start to get a little peevish. With my first cup of coffee comes the pleasant task of re-reading what I wrote the day before, making changes, big or small. Then, with the second cup of coffee starts the mental anguish of writing new material. I despise writing the first draft of most everything. All the words want out at once, and most of them aren’t even the right words. The brain becomes a bottleneck, and the fingers on the keyboard start twiddling, saying “Ho-hum, is there anything up there? We’re waiting.” So I pace my house, or I say my mantra, “It’s a rough draft, just write it,” or I go pull some weeds or chase a cat out of the house or sweep my floor. I’ve found that sweeping is the best exercise for finding the next phrase. Why did I leave the broom lingering in that doorway? Because that’s where the muse decided to show up and cooperate.

Some days the words flow. Some days they don’t. Magic is hard to come by.

So there’s a peek behind the glittery door of writerhood. It might be best to back away slowly.

Next week, on Monday, March 24th, take a gander at the writing habits and quirks of these writers. I’m honored to present to you:

Brian Fatah Steele is co-founder of Dark Red Press and horror author of Brutal Starlight, In Bleed Country, and many other gruesome and thrilling tales. 

CL Stegall, co-founder of Dark Red Press, is the author of the Urban Fantasy novel The Blood of Others, as well as the YA adventure The Weight of Night.

Back at it - Falcons Progress Report

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*whew* Sporadic writing during the holidays causes me to feel that I've made little progress, but rewriting one chapter and making it three isn't bad. It's been the villains, all through December and January. In the original draft, I devoted too little time to my villains until it was too late. They turned out flat and boring, and even I snoozed while reading through their scenes. No longer. The son of the Black Falcon becomes three-dimensional, with a single unhealthy obsession that eventually changes everything for the worse. Dark decisions follow, and Chapter 14 provides the turning point for volume 1 of Sons of the Falcon (title subject to change).


HOLIDAY PROGRESS
Chapter(s): 10, 12, and 14 
Pages Revised: 7
Became: 34+ pages
Deaths: 1
Good things that happen: ...
Bad things that happen: a neglectful father turns his son toward an unhealthy friend
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Fan of the Olympics and Janis Joplin

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The games are back again, which means the writing suffers. I just can't help it. Sports were never my thing. The only reason I like to watch football on Sunday afternoons is b/c it's the best thing ever to fall asleep to. An endless drone of pointless noise. Sorry, but that's the way it is. Now, the Olympics on the other hand? I'm glued. Everything else, or nearly, takes a backseat for two weeks every two years. Even writing. That's permissible, right?

Janis

Good thing is, despite the games, I finished the short spec-fic involving Janis Joplin yesterday. Lots of fun. A bit macabre. But lots of fun. Now I must choose between endings. I have two options, which I will keep to myself. And where to submit the bloody thing? But first things first, I must cut down the word count, as usual. My stories are always so full of character development that I have a difficult time keeping them brief. But I love the narrator. I can't decide if she's reliable or not, even now. Maybe that will keep readers guessing, too.

Anyway, back to the games. Then, when they conclude, it back to the Falcons saga for me. Don't even want to contemplate the workload waiting in that stack of paper...

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Recouped At Last!

.

Well, at least it feels that way. Rewriting Falcons over 18 months wore my brain thin, I tell you. It felt numb and zombified after that project. My goal, during these months of rest, was to write several short stories and revise some old ones that have been lying around the house, but in that state, I couldn't force my brain to think of  a single new idea. Even sleep was dull. I barely dreamed at all, not dreams that stuck with me after waking up, which is really odd for me. I got to worrying, "Is this how it's going to be? Have I lost it? Has my imagination been wrung dry? Will I ever care to write again?" Really distressing stuff. But I waited. And waited. 

And here it is. At least for now. This week, my brain seems to have come alive again. Bizarre story dreams prove it. Several nights in a row, dreams that have characters, plots, intrigue, the whole bit, so I guess that means all is returning to normal. One dream was about Janis Joplin, and I'm converting it into a bizarre spec fic. After I type "the end" on that one, I do believe it will be time to drag out Falcons 2 and start looking it over. It's been lying on my writing room floor, collecting dust, and tapping an irritated foot. I had to keep telling it, "Not till July. Give me that long to rest, at least, please." So, here it is, the middle of July, and things are heating up again.

What makes me even more eager to get started on Falcons 2 are the sells on Falcons 1. I never expected the response both volumes have received. Both have made it into the Top 100 Epic Fantasy list, alongside George RR Martin, Stephen King, Brandon Sanderson, Steven Erikson, and Tolkien. Then there are the other self-pubbed authors, like Michael G. Manning, on that list. I feel like my twins are competing with the big boys now, and the feeling is surreal. A little unbelievable. But I'll take it and run, thanks.

In any case, here we go again ...

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Spammers and Pen Pals

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It's been over a month since I've blogged about anything! Since the last couple of weeks of October, a great deal of my free time has been combating spammers. LegendFire has been invaded, and I've been turning over options to keep them out. The trolls in the basement seem to have eaten their fill and are fast asleep, which lets the rest of the spammers through. My Anti-Spammer Sword of Doom is well-honed, yes, but my sword arm is getting tired. Even the Forum Leaders with their Anti-Spammer Laser Pistols are getting miffed by the influx of these creeps. Despite all our magical wards, these spammers must be wearing amulets that let them pass through. We're going to have to consider thickening the outer wall. Anything to make it comfortable and inviting for the members. If they only knew ...

On a more positive note, some of my usual blogging time has been used to resume correspondence with someone who might as well be called a writing pen pal. Though pens are no longer used to write letters, it seems. I "met" Martin through Hatrack several years ago, and while he was helpful in pointing me in new directions for my writing, it's been most rewarding to discuss writing and publishing with him on a more detailed level than I can with most of the members at LF. Our recent discussions have provided some writing-related material to blog about, so if these spammers are soon under control, I'll have some new things to post.

In the meantime, the study on Acts concluded last week. It was a great success. One of our members who has been a Christ-follower for only a few years confirmed my hopes when she said that she hugely appreciated this study b/c the Bible stopped being a collection of random, helter-skelter verses and finally became a whole, a story, a history told from beginning to end. I was thrilled. Reading Acts years ago also helped my husband come to the same conclusion, and he was raised with those random verses being shoveled down his throat. I remember, when Acts changed his view of God's Word, everything changed. His outlook, our marriage, his relationship with God and his coworkers. It was amazing.

So now, a break, in which I shall begin reading Beautiful Outlaw by John Eldredge, and dive back into writing. I'm ecstatic.
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I can breathe now...

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I had to wait until I had a moment to breathe before I could spend decent time posting. Things have calmed down a bit. I gave up on the LeFiWriMo project, which helped immensely. The writing frenzy was a good learning experience, however. I learned that I'm writing more in a day than I thought I was. All these years I felt as if I wasn't doing enough, not accomplishing enough in my day-to-day tasks. Now I know that's not the case. Seriously, when you write rough drafts longhand for years, you go by the number of pages you've filled with your increasingly horrible scrawl, rather than word count. Now I know I can type 2000 words a day without much effort at all -- as long as the story itself is flowing clearly. So, I will now be typing all my rough drafts. I know, I know. Welcome to the modern era, lady!

In the meantime, colleague Brian Fatah Steele contacted me, along with several self-published writers he's acquainted with, and asked us to be part of an anthology he's putting together. When he said it was to have a Halloween theme, initially I was intimidated. Brian is a horror writer. I canNOT write horror, so I was relieved when he said my story could be of a different genre. Now I'm intimidated because the results are on the almost-too-long end, and barely of any speculative genre at all (which is a first for me!). Literary Americana with a smidgeon of fantastical happenings. I hope it fits. If not, oh, well. I had a wonderful time writing it, and feel that the story has something to say about small town life, about decency to neighbors. Best of all, my very honest husband loved it. *whew*

So if all goes well, be looking for a new Halloween antho this October. I won't release the details until I have permission.

My verse during busy times:

"Be still and know that I am God." Psalm 46:10

Which is powerfully interpreted as "Stop striving and know that I am God."
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Plot vs. Character - Which Side Do You Cheer For?

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THIS WEEK'S PROGRESS
Project: Falcons Rising
Pages Revised: 5
Pages Cut: 3.5
New Scenes: 3 --- 10 pages of new stuff. I love diving more deeply into old characters. I know them so well that elaborating on unexplored facets of their lives is easy and enjoyable.
Bad Things that Happened: The White Falcon discovers that his hero is just a man
Good Things that Happened: Arryk is free of his brother's torment -- for a little while

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Character-driven vs. Plot-driven

To any good story, well-rounded characters are a necessity, but so is a plot. What's the difference between these two and what defines a story as one or the other? Can a story be both?

A character-driven story, as described by speculative writer D. Lynn Frazier on her website, is a story in which "the character moves the story forward through action and choices. She initiates the events of the story and causes the events to happen. Each scene is instigated by the characters within it." Whereas plot-driven, also called Quest-driven or Action-driven is a story in which "the events ... move the story forward and cause the character to react to those events. Characters are secondary to the plot. They act in accordance with the plot and do not create events or situations on their own."

When I first started writing, not only did I not know what these terms meant, I didn't know these terms existed. I just wrote. Only later did I find out that the stories I was writing had to somehow fit into one definition or the other for purposes of pitching my ms to agents, editors, and the like. Or, in the least, I had to choose one or the other as the best definition for my work.

Many years later, I can happily say that I prefer to write character-driven fiction. If I get insanely bored while writing a story, often I will find that I've diverged somewhere into Plot-driven storytelling and left the characters behind. As much of an introvert as I am, it's the dynamics between people that keep me interested in what I'm writing.

Now, do my characters drive every event in every story? Certainly not. If events beyond my characters' control fail to happen, that's just unrealistic. Where was it that I read this? -- that the initial catalyst that gets the ball rolling may come outside your main characters, but after that, the story is driven by their reaction to that event. So a well-told story can certainly contain elements of both.

What do you think? Which do you prefer to read and/or write? Can you think of any examples of widely loved fiction that might be defined as both character-driven and plot-driven?
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